Tatiana Films
Grand Weddings
The scale of it deserves something timeless.
Months - sometimes years - go into planning. Every detail crafted to impress, to move, to awe.
And yes, everyone says “wow” on the day.
But why should the magic stop there?
We create a film where every frame reflects the intentionality behind your vision - the design, the atmosphere, the emotion, and the class.
Months - sometimes years - go into planning. Every detail crafted to impress, to move, to awe.
And yes, everyone says “wow” on the day.
But why should the magic stop there?
We create a film where every frame reflects the intentionality behind your vision - the design, the atmosphere, the emotion, and the class.
EXPERIENCE OVERVIEW
Below you'll find a pricing calculator, and here are some explanations to help you understand what each option includes and how they differ.
Wedding day coverage (based on selected hours or full day)
A 1-minute vertical teaser – perfect for sharing on social media
A full-length wedding film – documentary-style
A 1-minute vertical teaser – perfect for sharing on social media
A full-length wedding film – documentary-style
It’s often said that the number of filmmakers should depend on the number of guests.
We don’t think that’s necessarily true.
It’s an option to focus on the couple and the décor.
Guests can be filmed just enough to create atmosphere — and some couples are perfectly okay with that.
Another opinion is: “If you show me a teaser filmed by one person and another filmed with two — you’ll see the difference.”
You won’t. The pacing is thoughtful, the editing is dynamic, and the shots are chosen with intention.
You simply won’t notice.
So why bring in a second — or even third — filmmaker?
Because it’s not just about backup, the ability to be in different locations when needed, and help with equipment.
It’s also about having more creative angles.
Here’s an example:
A big, beautiful wedding — the bride walks toward the altar.
If there’s only one of us (Tatiana), she’ll be near the groom, filming the bride’s walk from the front.
A second angle might come from a drone — if the location and flight regulations allow.
Maybe there’ll also be a static camera from behind or the side — if it’s not blocked by standing guests.
Now, if there’s a second shooter, they can capture a cinematic side movement — walking parallel to the bride.
And if there’s a third, they focus entirely on guest reactions: the groom’s face, clapping, emotions.
The philosophy is simple:
The more stunning shots we capture in one day, the more times you’ll hear “wow” when you show this film to others.
We don’t think that’s necessarily true.
It’s an option to focus on the couple and the décor.
Guests can be filmed just enough to create atmosphere — and some couples are perfectly okay with that.
Another opinion is: “If you show me a teaser filmed by one person and another filmed with two — you’ll see the difference.”
You won’t. The pacing is thoughtful, the editing is dynamic, and the shots are chosen with intention.
You simply won’t notice.
So why bring in a second — or even third — filmmaker?
Because it’s not just about backup, the ability to be in different locations when needed, and help with equipment.
It’s also about having more creative angles.
Here’s an example:
A big, beautiful wedding — the bride walks toward the altar.
If there’s only one of us (Tatiana), she’ll be near the groom, filming the bride’s walk from the front.
A second angle might come from a drone — if the location and flight regulations allow.
Maybe there’ll also be a static camera from behind or the side — if it’s not blocked by standing guests.
Now, if there’s a second shooter, they can capture a cinematic side movement — walking parallel to the bride.
And if there’s a third, they focus entirely on guest reactions: the groom’s face, clapping, emotions.
The philosophy is simple:
The more stunning shots we capture in one day, the more times you’ll hear “wow” when you show this film to others.
Hourly collections are best if your wedding day is shorter or tightly scheduled.
You pay only for the hours you need — with a minimum of 8 hours.
Full-day collections (we call them unlimited) are designed for bigger weddings with flexible timelines.
We stay up to 14 hours — from morning prep to the very last dance — and you don’t need to watch the clock.
Plus, full-day packages come with 2 hours for free compared to the same number of hours booked hourly.
You pay only for the hours you need — with a minimum of 8 hours.
Full-day collections (we call them unlimited) are designed for bigger weddings with flexible timelines.
We stay up to 14 hours — from morning prep to the very last dance — and you don’t need to watch the clock.
Plus, full-day packages come with 2 hours for free compared to the same number of hours booked hourly.
It’s when you pay a fixed price — and don’t have to think about anything else.
We take care of the rest.
We build a team of three professionals for you, fully coordinated and aligned.
You don’t worry about logistics — we’ve got it covered.
By the end, you receive a full suite of deliverables:
We take care of the rest.
We build a team of three professionals for you, fully coordinated and aligned.
You don’t worry about logistics — we’ve got it covered.
By the end, you receive a full suite of deliverables:
- 📱 A 1-minute vertical teaser for social media
- 🎞 A 3-minute horizontal highlight
- 🎬 A 20-minute feature film
- 📸 Behind-the-scenes social content
- 🕰 A full Whole-Length Edit of the entire day
A short teaser or a highlight is great for sharing.
But without a Whole-Length Film, couples don’t really get to see their wedding in full.
The most common thing we hear is:
“We finally got to see everything.”
Because on the wedding day, time flies. You’re inside an emotional whirlwind — it’s beautiful, but also chaotic.
If you only have a short clip (even with raw footage as an add-on), you're missing something.
The teaser reflects the filmmaker’s vision — it’s cinematic, but it’s not the full day.
And raw footage? It can be shaky, uncut, filled with sound jumps and camera transitions — not exactly fun to watch.
But without a Whole-Length Film, couples don’t really get to see their wedding in full.
The most common thing we hear is:
“We finally got to see everything.”
Because on the wedding day, time flies. You’re inside an emotional whirlwind — it’s beautiful, but also chaotic.
If you only have a short clip (even with raw footage as an add-on), you're missing something.
The teaser reflects the filmmaker’s vision — it’s cinematic, but it’s not the full day.
And raw footage? It can be shaky, uncut, filled with sound jumps and camera transitions — not exactly fun to watch.
Whole-Length Film.
We sort through everything — keeping as many moments as possible, cutting only what’s broken, overly long, or not meaningful.
Our editing style is like an artistically filmed reality show
You get the real conversations, reactions, behind-the-scenes nerves, funny comments, and touching moments.
It’s genuine. It’s emotional. And it’s enjoyable to watch.
P.S. This wedding was filmed with a single filmmaker (Tatiana), using a drone and one additional static camera on a tripod.
We sort through everything — keeping as many moments as possible, cutting only what’s broken, overly long, or not meaningful.
Our editing style is like an artistically filmed reality show
You get the real conversations, reactions, behind-the-scenes nerves, funny comments, and touching moments.
It’s genuine. It’s emotional. And it’s enjoyable to watch.
P.S. This wedding was filmed with a single filmmaker (Tatiana), using a drone and one additional static camera on a tripod.
Whole-Length Film
GENERAL QUESTIONS
Yes, I do.
My approach is a blend of documentary and editorial.
Most of the time, I don’t interfere — I observe.
I step in only when something important needs gentle adjustment.
But when I see a chance for a beautiful, cinematic shot — and the timeline allows — I take it.
For sound, I use discreet microphones hidden in the groom’s outfit, and sometimes in the bride’s too (if the dress allows).
My couples know I’ll be able to hear their conversations — they’re always informed in advance.
This helps me keep the recording going when I sense something emotional or spontaneous is about to happen — a joke, a whisper, a meaningful moment.
These real, unplanned moments are what make the film feel intimate and multidimensional.
Most of the time, I don’t interfere — I observe.
I step in only when something important needs gentle adjustment.
But when I see a chance for a beautiful, cinematic shot — and the timeline allows — I take it.
For sound, I use discreet microphones hidden in the groom’s outfit, and sometimes in the bride’s too (if the dress allows).
My couples know I’ll be able to hear their conversations — they’re always informed in advance.
This helps me keep the recording going when I sense something emotional or spontaneous is about to happen — a joke, a whisper, a meaningful moment.
These real, unplanned moments are what make the film feel intimate and multidimensional.
I’ve moved away from heavy, bulky gear in favor of mobility and presence.
Almost everything I shoot is handheld.
It turns out I have a superpower — I can hold the camera incredibly steady.
I shoot video the way others might shoot photos — except my frames last about 10 seconds.
This approach allows me to capture a lot of material quickly without disrupting the flow of the day.
And of course, 15 years of wedding experience makes a huge difference — I know exactly where to be and when.
Almost everything I shoot is handheld.
It turns out I have a superpower — I can hold the camera incredibly steady.
I shoot video the way others might shoot photos — except my frames last about 10 seconds.
This approach allows me to capture a lot of material quickly without disrupting the flow of the day.
And of course, 15 years of wedding experience makes a huge difference — I know exactly where to be and when.
Typically, we meet in the morning, greet each other, and say something like:
“If I’m ever in your way, just let me know — I’ll step aside.”
That sets the tone: mutual respect, shared goals, and a team mindset.
If someone happens to stand in my shot, I can usually find another 25 angles to work with.
Plus, my shooting style is very fluid — I move constantly and rarely stay in one place for long.
During the ceremony, I always have at least one alternate angle — often more.
If a photographer blocks one of my cameras for a few moments, I’ve got backups.
And photographers don’t usually stay in the same spot either, so we naturally rotate around each other.
The truth is, I work with new teams almost every weekend —
and this open, flexible, professional rhythm has never let me down.
“If I’m ever in your way, just let me know — I’ll step aside.”
That sets the tone: mutual respect, shared goals, and a team mindset.
If someone happens to stand in my shot, I can usually find another 25 angles to work with.
Plus, my shooting style is very fluid — I move constantly and rarely stay in one place for long.
During the ceremony, I always have at least one alternate angle — often more.
If a photographer blocks one of my cameras for a few moments, I’ve got backups.
And photographers don’t usually stay in the same spot either, so we naturally rotate around each other.
The truth is, I work with new teams almost every weekend —
and this open, flexible, professional rhythm has never let me down.
We’re all freelancers — but we’ve worked together many times, and I have a trusted circle of professionals I regularly collaborate with.
Everyone on my list is top-tier, talented, and experienced specifically in weddings.
They know how to move, observe, and capture without disrupting the moment.
A photo portfolio from my team will be available on this website soon.
Everyone on my list is top-tier, talented, and experienced specifically in weddings.
They know how to move, observe, and capture without disrupting the moment.
A photo portfolio from my team will be available on this website soon.
Photography Portfolio
If you book both photo and video with Tatiana Films, the entire team is curated by Tatiana Films — and we take full responsibility for delivering the best possible result. The editing is done by our in-house retoucher, whose work you can see below.
Total Estimate:
$0 CONTACT FORM
